new magazine arrival|新雜誌上架

Edited by Tod Lippy
Esopus Magazines
Paperback $120 - $170 (original price: USD 10 - 20)(每期附送音樂合輯|with CD compilation)
Published twice yearly by Esopus Foundation Ltd.

Esopus,紐約出版的視覺文化半年刊,字義原是一條為紐約市提供乾淨山水的河流,雜誌以此命名,寓意此出版要為大城市源源提供清新無污染的原創意念。每期內容包括藝術創作、偏鋒寫作、小說詩歌、訪談及一隻音樂專輯,就是沒有廣告與鱔稿。每打開新一期的Esopus,讀者會首先發現此雜誌份量非常,因為每期為配合不同的主題與創作,書頁之間會加插大量可以拿在手中的小配件,務求讓閱讀雜誌的經驗可跳出平面的框框。原創大膽而用心製作,雜誌出版不簡單。

Esopus is a twice-yearly arts magazine featuring fresh, unmediated perspectives on contemporary culture from a wide range of creative professionals. It includes artists’ projects, critical writing, fiction, poetry, visual essays, interviews, and, in each issue, a themed CD of new music.

Published by the non-profit Esopus Foundation Ltd., the magazine has a simple mission: to provide an unfiltered, non-commercial space in which creative people and the public can connect in meaningful, productive ways.



Published by aco on 18/08/2010

new book arrival|新書上架


Miroslav Tichý
Hardcover $620(original price: $ 75 US)
ISBN: 9783869301020 Published October 2010 by Steidl Publishing

Miroslav Tichý,一位拿著自製怪雞相機的捷克人,在布拉格之春(1968年)前後於家鄉到處偷拍那時那刻的女仕風景。他更會為那些鬆郁蒙的影像製造獨一無二的紙相框,或者直接在影像上進行再加工,以製造他心目中的家鄉印象。就這樣由戰後到冷戰,由極權到解放,這些數以千計的相片渡過了半個沉默的世紀。近几年被翻箱倒櫃找出來展覧、出版,更顯得相內相外的人情故事如幻似真。


Few stories in the history of photography are as astonishing and as compelling as that of the octogenarian Czech photographer Miroslav Tichý. With crude homemade cameras fashioned out of cardboard and duct tape, Tichý took several thousand pictures of the women of his Moravian hometown of Kyjov throughout the 1960s and ’70s. These pictures of women going about their daily business are at once banal and extraordinary, transforming the ordinary moments of work and leisure into small epiphanies. Blurred and off-kilter, his photographs have a striking contemporaneity, resembling the early paintings of Gerhard Richter or the photographs of Sigmar Polke. Printed imperfectly and deliberately battered, they evince a surprising retrograde or even antimodernist feeling, which, in the context of the Cold War atmosphere of provincial Czechoslovakia, just before and after the liberalizing moment of the Prague Spring (1968), undoubtedly constituted a kind of oblique political provocation, a nose-thumbing response to the progressive realist perfectionism of official Soviet culture.

The catalogue Miroslav Tichý accompanies an exhibition of the same title at the International Center of Photography organized by Chief Curator Brian Wallis. Critical evaluations by Brian Wallis, Roman Buxbaum, Carolyn Christov-Bakargiev, and Richard Prince introduce more than 250 plates and illustrations.


伸延閱讀|of related interest

Text by Clint Burnham, Roman Buxbaum, Carolyn Christov-Bakargiev, Harald Szeemann
Miroslav Tichý: Dedicated to The Women of Kyjov
Hardcover $605 (original price: $ 80.00 US)
ISBN: 9783865604590 Published September 2008 by Verlag Der Buchhandlung Walther König, Köln

After studying at the Academy of Arts in Prague, Miroslav Tichy, born in 1926 in the former Czechoslovakia, withdrew to a life of isolation in his hometown of Kyjov. In the late 1950s, he stopped painting and, during his daily walks, began to take photographs of women with cameras he made by hand. He mounted his prints on handmade frames and added finishing touches in pencil, shifting from photography to drawing. Disregarding the rules of photography, for four decades Tichy created a large oeuvre of poetic, dreamlike views of female beauty.

A former neighbor, Roman Buxbaum, discovered Tichy’s hidden work in the 1980s and has been documenting and collecting it ever since. In 2004, the esteemed international curator Harald Szeemann mounted the first solo exhibition of the nearly 80-year-old artist. That same year, Tichy was given the Rencontres d’Arles Photographie Discovery Award and the Kunsthaus Zurich organized a large retrospective. Solo exhibitions at the Centre Pompidou in Paris and the Museum of Modern Art (MMK) Frankfurt followed in 2008. Tichy does not see his exhibitions, for he no longer leaves his house. This beautifully produced, thorough volume collects the work–perfectly.


Miroslav Tichý
Paperback $195 (original price: $ 25.00 US)
ISBN: 9788072152773 Published August 2006 by TORST




Published by aco on 18/08/2010

new book arrival|新書上架

Hans Ulrich Obrist, Hans-Peter Feldmann
Interview
Paperback $295(original price: $ 49.95 US)
ISBN: 9783865606600 Published March 2010 by Verlag Der Buchhandlung Walther König, Köln

足跡遍歐洲的知名藝術策劃人Hans-Ulrich Obrist 近几年陸續推出「訪問」叢書,收錄他與他人的對話,談人生體驗心底話。今次的被訪對像是德國藝術家Hans-Peter Feldmann,他終生的藝術創作在於收集-整理-重塑影像,然後結集成書,讓書本說故事。Feldmann 自家的出版從來都沒有太多文字解說,因為一切盡訴照片中。那Obrist 與Feldmann 這對相識廿載的老朋友該如何進行訪談?結果由Obrist 提出128個問,Feldmann 就每一問題提供一張照片作為答案,當中不乏妙問妙答,可堪玩味。文字與影像如何對話?此為又一有趣例子。

Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.


伸延閱讀|of related interest

Hans Ulrich Obrist, Gerhard Richter
Obrist
Paperback $370 (original price: $ 65.00 US)
ISBN: 9783865606921 Published March 2010 by Verlag Der Buchhandlung Walther König, Köln

Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist’s book to this longstanding relationship. The texts in Obrist-O’Brist have been produced by rearranging Obrist’s interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter’s own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O’Brist is an adventure from cover to cover; it even has two different sleeves, and can be approached from either end (as frequent upside-down pages indicate).

Hans Ulrich Obrist, John Baldessari
Conversation Series 18: Baldessari
Paperback $180 (original price: $ 26.00 US)
ISBN: 9783865605009 Published February 2010 by Verlag Der Buchhandlung Walther König, Köln

Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari’s. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit. A recurrent topic throughout these discussions is the interaction of text and image (on which so much of Baldessari’s work leans), and issues such as the museum as institution, idea archives and unrealized projects, and on his career, exhibitions and retrospectives of the past few years.



Published by aco on 18/08/2010

new book arrival|新書上架

François-Marie Banier
Beckett
Hardcover $175
ISBN: 9783865219831 Published May 2010 by Steidl Publishing

1978 年夏摩洛哥某城,法國攝影師François-Marie Banier 巧遇正在渡假的貝克特與他的太太。踢著拖鞋穿著沙灘褲的貝克特在小市鎮裏悠閒踱步,似乎除了攝影師一人以外並沒有其他人發現自己正與這位諾貝爾文學獎得主擦身而過。Banier 拿著相機追隨貝克特的身影,直至兩人相遇、攀談、成為朋友。相集除收錄了這批彌足珍貴的「偷拍照」外,也包括一些在貝克特晚年於巴黎拍攝的黑白人像照,讓讀者發現置身於兩個年代兩種色調兩種氣氛的兩個貝克特。

“About thirty years ago, the beaches and streets of Tangier were haunted by an automaton. It was nothing but skin and bones, and I often lost sight of it, blinded by the sun. Its silhouette of a marsh-bird vanished in the middle of the crowd of Moroccans in djellabahs and indifferent tourists. Like me they ignored the fact that this skinny man was the great writer Samuel Beckett. His path seemed to follow the movement of a pendulum, adjusted to his own rhythm, his heels touching the ground long before his weight followed, the body leaning backwards. He looked far above the horizon, his ocean blue eyes hidden by big sunglasses, and tried to orientate himself. It troubled me so much not to be able to capture the real dimension of this figure that I often forgot to put a film into my camera.

As our paths kept crossing we finally met. So I abandoned the camera and stopped taking pictures. With his dark voice, he told me of the twenty seven books he couldn’t find a publisher for, of his wife Suzanne, of his friendship with Joyce, of his family in Ireland. He imagined how his mother would have been surprised by him getting the Nobel Prize, if ever she had known; he advised me to read “to learn how the others do it”. But I wanted to retain this attitude and his face, so I had to step away, to leave the treasure of his words, his opinions, and get back to the place that suits the photographer best: the one behind the lens.”


伸延閱讀|of related interest

Robert Frank
Henry Frank, Father Photographer
Hardcover $195 (original price: $ 30.00 US)
ISBN: 9783865218148 Published October 2009 by Steidl Publishing

Robert Frank’s father, Henry (1890–1976), was both the proprietor of a bicycle shop in Zurich, and a keen amateur photographer. Father Photographer makes public for the first time a selection of Henry Frank’s photographs including landscapes, family portraits, still-lifes and cityscapes.

Annie Leibovitz
A Photographer’s Life: 1990-2005
Paperback $395 (original price: $ 50.00 US)
ISBN: 9780812979633 Published November 2009 by Random House

“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990 to 2005. “This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, and William Burroughs–appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes. The pictures form a narrative of a life rich in contrasts and continuities. The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while, she is working, and the public work resonates with the themes of the life.



Published by aco on 17/08/2010

電影導演回顧系列(一)Pier Paolo Pasolini|帕索里尼

18/08/2010
7:30 pmto11:00 pm



片名|movie title: Medea|美狄亞
年份|year: 1969
片長|running time: 98 mins
附註|note: 彩色/意大利對白/附英文字幕|color, in Italian with Eng subtitles
簡介: 以古希臘金羊毛的神話為題材,講述Jason遠征復國的故事。以原始簡約的手法,鋪陳神女Medea 的愛與恨,她上通天界,又能用魔法,最後以此懲罰負心的Jason。


Medea @ Wikipedia



帕索里尼(1922-1975)是上世紀極具爭議的意大利導演。他多才多藝,是詩人、劇作家、小說家及評論家。他的死至今仍是個謎。
此電影導演系列由六月開始將逢星期三晚回顧他的作品,當中包括長片、紀錄片及單元片,讓大家一起分享、學習和欣賞。

主辦: Kenneth Young, David Chan and friends
日期: 2010年8月18日(星期三)|18 August 2010 (Wed)
時間: 七時半開始|7:30pm till late

放映後設討論分享(以廣東話進行)
費用全免,歡迎捐助;座位有限,請先訂座
the dialogue after screening will be conducted in cantonese only
free entrance, donation welcome; limited seating, please register in advance.

* * *

過往放映|past screenings

11.8.2010 Porcile|豬欄
 (1969)
4.8.2010 Teorema|定理 (1968)
14.7.2010 Oedipus Rex|伊底帕斯王 (1967)
7.7.2010 The Hawks and the Sparrows|麻鷹與麻雀 (1966)
30.6.2010 Love Meetings|愛情約會 (1965)
23.6.2010 The Gospel According to St. Matthew|馬太福音 (1964)
16.6.2010 Mamma Roma|羅馬媽媽 (1961)
9.6.2010 Accattone|乞丐 (1961)



Published by aco on 17/08/2010

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